Eduardo Terán

Selected Works


Teaching



Internet Castles
Syracuse University, School of Architecture
Studio Fourth-Year
Spring 2025

[More..]





Thinking Digitally
Syracuse University, School of Architecture
Master of Architecture, Media Course
Spring 2025

[More..]






Infrastructural Seeds / Data Prototypes
Cornell University, AAP
Open Elective
Fall 2023

[More..]






York Prize Exhibition
Cornell University, AAP
Studio First-Year
Spring 2024

[More..]






To Dwell Is
Syracuse University, School of Architecture
Studio First-Year
Fall 2024

[More..]






Hybrid Assemblages
Cornell University, AAP
Studio First-Year
Spring 2024

[More..]






























Contact


etern@ttu.edu

ec7442393@gmail.com
Instagram



























Former collaborators


Eduardo Cilleruelo Terán is an architect, researcher and educator holding the position of Assistant Professor of Architecture at Texas Tech University’s Huckabee College of Architecture and co-founder of Estudio Latente. His work explores the spatial, cultural, and political implications of infrastructure and digital networks at the intersection of design, technology, and territory. 

He has taught at Cornell University as a Design Teaching Fellow and has also been a Visiting Instructor at Syracuse University and Montana State University. His work has received awards and been exhibited internationally, including at the Venice Biennale, the Cornell University Biennial, and by Spain’s Ministry of Housing and Urban Agenda, among others. Eduardo holds a Master of Science in Advanced Architectural Design from Cornell University and degrees in Architecture and Urbanism from the Universidad de Alcalá. He is a registered architect in Spain.

Eduardo has the honor of collaborating at different scales with Omar Ali, Saba Salekfard, Il-Hwan Kim, Catherine Wilmes, Imani Day, Felix Heisel, Michael Jefferson, Suzanne Lettieri, and Jesse LeCavalier, as well as with Lily H. Chi, Daniel English, Suzanne Karczewska, Greg Keeffe, Ricardo Lajara, Christopher Livingston, Jaime López Valdés, Luis Laca, Joseph McGranahan, Maria G. Pendás, James Park, Laura Puchades, Fernando Quesada, Maxwell Rodencall, Laura Salazar, Pablo Sequero, Jose Jaraiz, Alberto de Jorge, Valentina Haro, and Jose Luis Uribe, among others.







Frank LaPuma, Minyu Huang , Valeria Vilanova, Veronica Paulon, Ipek Temizkan, Juan Rivera de Cosio.




























































Last Updated 24.10.31





De Roca Madre
Temporal Pavilion
Estudio Latente
Plaza Stagno, Gran Canaria
2025

Designed by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro, the pavilion invites reflection on the contrast between geological time, as reflected in the island's strata, and the accelerated human impact on its ecology in recent decades. The pavilion "looks to the past, evoking traditional Canarian construction in stone and wood using geological and natural materials native to the island; while at the same time, it opens a critical conversation around a contemporary issue": the accumulation of waste and microplastics along Gran Canaria's coasts, most of which are carried there by transoceanic currents from other parts of the world.

[More..]




Data Tactics
Exhibition
Cornell Councilf For The Arts
Cornell University, AAP
Bibliowicz Family Gallery, Milstein Hall
2024

Data Tactics, Information Control and Colonization Strategies in the Data Center Technocene explores actions and protocols shaping the crucial infrastructure of our time. Through the matching of nine operating strategies (camouflage, extract, infiltrate, occupy, hide, inhabit, fortify, parasite, switch) with architectural models, the exhibition prompts reflection on the architectural scales and protocols, defining colonial implementations where the building leaves its definition to: acquire a radical infrastructural meaning, operate as a political subject, acquire resources and administrate territory.

[More..]






PostLands
Installation
Cornell University, AAP
Jonh Hartell Gallery, Sibley Hall
2024

Post-Lands introduces a series of processes, inquiries, and conjectures surrounding the iconography of the data center, inviting visitors to assume the role of observers within its Technocene era. Through a sequence of chambers, the exhibition endeavors to reimagine the potential approaches to these territories, wherein we exist as only partial observers. What defines a building and our role within is transforming — meanwhile, we keep active as fundamental users of the data transaction game. Data centers are our new medieval castles, in a time where society and powers are shifting under unstoppable technological growth.

[More..]





Common Clouds
Installation, Symposium
W/Jesse LeCavalier
FKA_Six, Ring-Center 1, Berlin
2023

Data infrastructure – including data centers, mesh networks, and energy systems – are shaping the way we live together now and in the future. The work displayed here is by students from the Cornell University College of Architecture, Art, and Planning from design research studios organized by Jesse LeCavalier. Conceived around provocations related to typological speculations and collective futures, the work of these studios explores a range of formal, spatial, and social conditions that might arise through critical engagement of data infrastructure.

[More..]






Data Monumentality Speculative Project
W/Hyun Jun Cho
Cornell University, Space Group
2022

Our investigation begins from one question: where is contemporary life situated in the epoch of digital transformations? When we sit at our desk and receive a new message on one of our screens, how do we make sense of the processes and physical infrastructures that make this possible? We envision not only the future of this infrastructural system but make further attempts to imagine the possibilities of its physical reality and potential political implications .

[More..]






Sown Playwood
Competition
W/Il-Hwan Kim, Catherine Wilmes
2025

This project seeks a method of using warped plywood for the construction. We embrace bending and distortion through sewing techniques—a low-tech, no-power method that resists the dominance of digital fabrication and precision tooling. While the frame assembly involves some powered tools, the pavilion’s central construction relies on joining through tension and touch. 

[More..]


























© Cargo Test Site 2027